For a long time, the topic of Nazism / Fascism in cinema was presented in a certain genre palette – psychological dramas, adventure detectives and thrillers, satirical (The Great Dictator by Ch. Chaplin, for example) or lyrical (Heavenly Quiet Move) comedies prevailed. For quite a long time strict censorship bans – both in the West and in the USSR – did not allow the creators of films on the Nazi topic to turn this kind of media texts into a commercial product, naturalistically emphasizing the scenes of violence and sex...