Everythihg we love so much!

Part 2 Montecatini office buildings, between Via della Moscova (first building, left, 1935-38) and Largo donegani (second building, right, 1947-52), designed by Gio Ponti, Antonio Fornaroli and Eugenio Soncini...

Part 1 During the ten years of artistic direction of the Richard Ginori Company, from 1923 to 1933, Gio Pontin, the most versatile Italian architect and designer of the 20th century, created three hundred and fifty designs and two hundred models for the historic Docile ceramic factories. They were magnificent objects of unparalleled elegance, often unique pieces of great sophistication and at the same time of extreme simplicity. Many of them are now on display...

Part 2 So here he is in front of the mirror, which retracts while masturbating, with an immense phallus in his hands (Eros, 1911). The end of ideal beauty, of the microgenitomorph of the elders, theorized by Polychaetes: sex is painted visually, in its raw reality, exalted and represented according to nature. We are in 1910, at a time when onanism is considered a disease, the cause of dementia, and Freud, who considers it as a primary addiction, refuses to mention it on his teenage son, who is treated by a colleague...

Part 1 Art is always ahead of its time, and that is how Egon Schiele (1890-1918) proved to be our perfect contemporary after a century. Just visit the monographic exhibition in Paris at the Louis Vuitton Foundation, organized by Suzanne Page, Diète Bûchait and Olivier Michelson more than a hundred paintings and drawings, most of them private, on display until January 14, 2019, to realize the prodigy of foresight that Schism expresses in terms of the representation...

At the centre of Katz' s paintings is not the materialistic ecstasy of Pop Art, the static detection of things, but a movement of dematerialization and contours that decontextualizes the image and places it as the only protagonist of the plane. The idea of contouring will come back as a protagonist in the series of cut-outs, where the figures are cut out and supported by self-supporting structures. The background no longer exists. The figure is taken up in the calm of a daily gesture, continues...