Книги с Эркюлем Пуаро в хронологическом порядке: Автор — Агата Кристи РОМАНЫ: 1."The Mysterious Affair at Styles"/"Загадочное происшествие в Стайлз" (1920) 2."The Murder on the Links"/"Убийство на поле для гольфа" (1923) 3."The Murder of Roger Ackroyd"/"Убийство Роджера Экройда" (1926) 4."The Big Four"/"Большая четвёрка" (1927) 5."The Mystery of the Blue Train"/"Тайна "Голубого поезда" (1928) - "Black Coffee"/"Чёрный кофе" [пьеса, адаптированная под роман Чарльзом Осборном] (1929) - 6."Peril at End House"/"Загадка эндхауза" (1932) 7."Lord Edgware Dies"/"Thirteen at Dinner"/ "Смерть лорда Эджвера" (1933) 8."Murder on the Orient Express"/"Murder in the Calais Coach"/"Убийство в "Восточном экспрессе" (1933) 9."Three Act Tragedy"/"Murder in Three Acts"/"Трагедия в трёх актах" (1934) 10."Death in the Clouds"/"Death in the Air"/"Смерть в облаках" (1935) 11."Murder in Mesopotamia"/"Убийство в Месопотамии" (1936) 12."The A.B.C. Murders"/"Alphabet murders"/"Убийства по алфавиту" (1936) 13."Cards on the Table"/"Карты на столе" (1936) 14."Dumb Witness"/"Poirot Loses a Client"/"Безмолвный свидетель" (1937) 15."Death on the Nile"/"Смерть на Ниле" (1937) 16."Appointment with Death"/"Встреча со смертью" (1938) 17."Hercule Poirot’s Christmas"/"Murder for Christmas"/"A Holiday for Murder"/"Рождество Эркюля Пуаро" (1938) 18."One, Two, Buckle My Shoe"/"Раз, два — пряжку застегни" (1940) 19."Sad Cypress"/"Печальный кипарис" (1940) 20."Evil Under the Sun"/"Зло под солнцем" (1941) 21."Five Little Pigs"/"Murder in Retrospect"/"Пять поросят" (1943) 22."The Hollow"/"Murder after Hours"/"Лощина" (1946) 23."Taken at the Flood"/"There Is a Tide"/"Берег удачи"/"Прилив" (1948) 24."Mrs McGinty’s Dead"/"Blood Will Tell"/"Миссис Макгинти с жизнью рассталась" (1952) 25."After the Funeral"/"Funerals are Fatal"/"После похорон" (1953) 26."Hercule Poirot and the Greenshore Folly"/"Эркюль Пуаро и путаница в Гриншоре" (1954, первая публикация в 2014) 27."Hickory Dickory Dock"/"Hickory Dickory Death"/"Хикори-Дикори-Док" (1955) 28."Dead Man’s Folly"/"Причуда мертвеца" (1956) 29.''Cat Among the Pigeons''/"Кошка среди голубей" (1959) 30.''The Clocks''/"Часы" (1963) 31.''Third Girl''/"Третья девушка" (1966) 32.''Hallowe’en Party''/"Вечеринка в Хеллоуин" (1969) 33.''Elephants Can Remember''/"Слоны умеют помнить" (1972) 34.''Curtain''/''Занавес"/"Занавес: последнее дело Пуаро" (1975) СБОРНИКИ РАССКАЗОВ: 1."Poirot's Early Cases"/''Ранние дела Пуаро'' (1923-35) 2.''Poirot Investigates''/''Пуаро ведет следствие'' (1924) 3.''The Adventure of the Christmas Pudding and a Selection of Entrées''/''Приключение рождественского пудинга'' (1937) 4.''Murder in the Mews''/''Убийство в проходном дворе'' (1937) 5.''The labours of Hercules''/''Подвиги Геракла'' (1947) 6. "Problem at Pollensa Bay & Other Stories"/"Второй удар гонга"/"Случай в Поллензе" (1991) - конкретно рассказы "The Second Gong"/"Второй удар гонга" и "Yellow Iris"/"Жёлтые ирисы" Автор — Софи Ханна РОМАНЫ: 1."The Monogram Murders"/''Эркюль Пуаро и Убийства под монограммой" (2014) 2."Closed casket''/''Эркюль Пуаро и Шкатулка с секретом" (2016) 3."The Mystery of Three Quarters"/"Тайна трёх четвертей" (2018) 4."The Killings at Kingfisher Hill" (не переведена на русский язык. Дословно: "Убийства на Кингфишер-Хилл") (2020)
At the center of my consideration is the famous dialectic of Slave and Master along with Hegel’s formulation that “life is a way of enduring death.” According to Hegel, there exist two types of consciousness: the consciousness of the Slave and the consciousness of the Master. The Master differs from the Slave in that he takes the risk of facing death, while the Slave surrenders his freedom to the Master, so that only the Master has the experience of a brush with death. In Hegel, eschatological optimism is directly connected to the concept of death: one’s attitude and relation to it. The Slave is not an eschatological optimist; he is its opposite. You might recall Martin Heidegger’s interesting formulation which goes something like: “the absence of eschatological thinking is a pure form of nihilism.” The Slave whom Hegel describes has no such eschatological thinking. He does not believe in finitude, he refuses to face his finitude, he refuses to cross paths with death. He gives his freedom to the Master so that he will come to terms with death in his stead. This is reminiscent of modern man, who is more or less ready to fully trust the mediasphere, to open up to it and allow it to constitute his perspective. “If people are dying from the coronavirus, then I could die too.” Everything is as it says. “If people are not dying from it, then I won’t die either.” The Figure of the Master in Hegel @PRAVPublishing Excerpt: from Eschatological Optimism by Daria Platonova Dugina https://pravpublishing.com/eschatological-optimism/