A little larger than the Tavola Doria (and therefore this could be a preparatory study according to Waldman), the Battle of Anghiari of the deposits of the Uffizi, Waldman points out, "is unique among the existing copies because it makes the subtle gradation of tone in the area is not the model of Leonardo, corresponding to the profile of the knight on the white horse at the far right of the composition, also includes detailed information of the fragmentary profiles omitted by other previous copyists and that are only mentioned in the Tavola Doria...

Leonardo da Vinci They called him “fat boy,” this seventeen-year old apprentice in the studio of Florentine painter Verrocchio who would receive care packages from his step-father, a pastry chef. The bastard son of a Florentine notary and a lady of Vinci, the boy’s doting step-father gave him a taste for marzipans and sugars from a very young age. Его называли "толстяком", этого 17-летнего ученика в студии флорентийского художника Верроккио, которому отчим каждый день присылал пакеты с лакомством. Отчим был поваром, мастером (сдобной) выпечки и души не чаял в приёмном сыне, которого рано приучил к марципанам и другим сладостям...