Part ll
The thesis of I. as a mirrored image of reality varies in numerous ways in which in classicist aesthetics ("imitation of gorgeous nature"). Materialists of the eighteenth century. (Diderot) was thought of by I. as a kind of data of the reality in living footage of reality.
German classical aesthetics, looking forward to idealistic stipulations, explore for sources of inventive creativeness within the "kingdom of the spirit" ("expedient activity while not purpose" by Kant; "game" by Schiller; manifestation of abs. spirit by Hegel). At constant time, it unconcealed with nice depth the essence of I. as a "free" human action, embodying the well-rounded richness of the individual's angle to reality. Georg Wilhelm Friedrich Hegel with a special depth and consistency unconcealed the psychological feature essence of art, shaping it as a right away contemplation of reality.
Relying on the psychological feature skills of a public person, art stands aboard such kinds of public consciousness as science, though it differs with it in its material, kind of reflection and religious development of reality, in its affair. The common factor in each scientific and inventive consciousness is the ability to mirror the planet objectively, to cognize reality in its essence.
In this I. is opposite to faith (although they were closely connected at bound stages of historical development (!)), as a result of spiritual consciousness reflects reality in a very wrong and incapable of penetrating into the target essence of things. In distinction to the science, in theory, mastering the planet, I. down reality esthetically, covering the planet holistically, all told the richness of living manifestations of the essence, all told the sensual brightness of the singular, unique. But, at constant time, it's within the better of his works is data, revealing of truth, deep penetration into the essence of public life.
Aesthetic relations of someone to the planet area unit manifested in society in varied forms and, particularly, in any substantive activity, during which additional or less freely unconcealed the artistic nature of labor. This explains, particularly, the presence of a creative part in a bound material product. However, art is traditionally fashioned as a special, specific field of religious production, designed to master reality aesthetically: it generalizes, reveals and develops the aesthetic relationship of society to the important world. inventive consciousness doesn't aim to provide any special data, its psychological feature perform isn't connected with any personal branches of material-production or social applications and doesn't aim to differentiate within the phenomena any special chain of regularities, as an example, physical, technological or, on the opposite hand, particularly economic, psychological, etc.
The subject of art is "everything that's attention-grabbing for a person in life", it develops the planet all told the richness of his manifestations, as a result of they prove to be the item of sensible specific interest of individuals. thus the holistic and comprehensive nature of inventive consciousness, that contributes to the individual's awareness of his or her "kin essence", the event of his or her social consciousness as a member of society, and also the definition of the category.
Art is meant to expand and enrich the sensible and religious expertise of man, it pushes the boundaries of the "direct experience" of people, being a robust tool for the formation of the human temperament. Art's specific affair is that being a kind of awareness of reality, it condenses the infinite kind of religious expertise accumulated by humans, taken not in its general and final results, however within the terrible method of living relations of a public person with the planet.
Art's work enlightens not solely the results of psychological feature, however conjointly its means, complicated and versatile method of comprehension and aesthetic process of the item world. Since in I. the planet seems down, understood, esthetically processed, the image of reality in a very giant, actually classic work of art has Associate in Nursing orderly, harmonious logic, beauty, notwithstanding it's an issue of replica of low or ugly phenomena of life.
This beauty isn't brought into the item world by the capriciousness of the topic, however, is unconcealed by the creative person within the method of religious mastering of reality. Perceiving arts work, someone because it were re-creates the artistic act of mastering the topic, is created an area of the expertise of art practically-spiritual, that causes a special sense of joy of religious possession of the planet, aesthetic pleasure, while not that it's unimaginable to make or understand Associate in Nursing design.
To be continued in the next part…
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