I know who you are (Se quien eres) - Spanish thriller. What do you think, huh? The famous successful lawyer Juan Elias woke up in the car after the accident. Someone got to the nearest gas station and called an ambulance. Diagnosis: post-traumatic amnesia. Juan remembers nothing at all until he woke up behind the wheel of a broken car. At the hospital, he learned that he was married, had children and that ... his niece Anna had disappeared with him. However, that's not all the news - Juan's car contained blood stains, her hair, and her mobile phone, from which she last called her father and sobbed into the phone, saying that someone was chasing her. The police easily folded the two and two, arrested Juan, tried to press charges against him, but because of his memory loss, Juan could not say exactly what had really happened and where Anna had gone. All this he has to remember. Or "amnesia" - a trick of a cunning lawyer to buy time and confuse the investigation?
Spaniards are burning! Sixteen episodes of an hour each - they dubbed "mini-series". Although perhaps, for them it is short, it is a thesis. I'm just kidding! Everything in I know who you are! First of all, the plot of the "game of reason" does not grow old with the soul and is always interesting. Secondly, the pace of the story is just crazy, plus the writers of tricks and "in time" set the story "traps" for the viewer throughout the season. As soon as you get tired of the eternal phrase "I need to talk to you", and the story slowed down and began to slow down, don't relax, new evidence is waiting for you around the "corner", and the vector of history changes direction, moving in a completely unexpected direction for you. Only have time to "reel in". In the labyrinth of investigation, it is easy to get lost. I missed a moment and that's it - you're in a dead-end. Keep an eye on what's going on. Wrapped up, wrapped up the Spaniards on their conscience... really without "half a liter").
I have already complained in other reviews of the features of the Spanish school of acting and again twenty-five. All the tense, sharp moments in the dialogues the Spaniards play with their voice. Simply - whoever shouts at who is wrong is right. And "acute and tense moments" in the series a lot, so the stormy clarifications of relations in the "traditional Spanish temperamental manner" they are in I know who you are. The emotional background in the series is off the charts. From this you get tired, but the desire to understand this tangled story is stronger.
The characters in the series are a treasure trove of essays and essays for medical students who "chew granite science" in the department of psychiatry. Anything from post-traumatic amnesia to hidden schizophrenics and people with dissocial personality disorders is presented as a textbook. The receptive and sensitive viewer will hate more than half of the heroes of this multi-path puzzle. I can't hide it, a couple of heroines also brought me to the point where I was in a white snap. The first one is Eva Duran (Aida Folch) (here she is in Spain, too). Mentally unstable young lady, with a bunch of complexes, phobias, untreated mental wounds, in the troubles of which everyone is to blame (but not her) and everyone owes her something. The second is Anna (Susannah Gomez), a missing girl. I won't diagnose her and describe her symptoms (I don't want you to get the wrong impression about the victim), but you'll see for yourself and understand my resentment. The girl is a rare bitch. According to the idea, ladies should arouse sympathy and pity, purely out of women's solidarity, but as Fedulov said in "Athos": "I do not like such people!) But if the girls have caused such a strong reaction, the actresses should be applauded, don't you think? Girls, bravo!
But the acting duo of the main characters - Francesc Garrido (Juan) and Blanca Portillo (Alicia) - performed their roles grandiosely. Really believe that only the monster could marry a monster, to keep the "marriage bonds" for 20 years and go through Juan's amnesia.
Of course, in the series to the brim with plot inconsistencies and cracks. But the Spaniards are good. They are with such naivety, even without blinking an eye, covered all the mistakes emotional rupture of the brain, passion on the brink of a foul and a constant desire to "talk to each other", it's something!
Once again, I was convinced that Spanish and Italian TV series stand apart from the usual leisurely, measured and restrained European TV series. I know who you are, and I don't know who you are. It's not a boring movie.
I spell, watch with subtitles. Voice kills the series at once!
Country: Spain.
Year of issue: 2017.