Blue - green.
Bright blue, - green, or turquoise - the coldest of all colours. For this reason, it is most appropriate to use it where it is necessary to create a refreshing coolness optically. It is desirable in hot countries, in hot factory halls, in premises with suffocating and heavy smell. This colour effect is used in refreshing drinks, refreshing cigarettes or menthol toothpaste.
It easily seems that in the icy cold blue, all biological organisms, and therefore bacteria, should die green. Therefore, medium-light turquoise seems so sterile. Some ladies who identify themselves by their cold and kind manner, to the upper classes of society, even in clothing prefer frigid - sterile, pale turquoise colour above passions.
Dark blue-green acquires the rigidity and gravity of stubborn competition, sudden isolation and hardened pride. In factories, the twilight blue is used to paint load-bearing steel structures, especially if the supports are in the background of a light grey concrete or silicate wall, or a red brick wall.
Yellow - green.
Contained in pure green, hidden energy is released by adding yellow, stress-relieving energy to it. Green with yellow is released from its statistical state, from its preservation and captivity: yellow releases it from the protective and separating walls. Therefore, the action of yellow-green - brings back memories of the colour of the leaves blossoming out of the buds, as they also come out of the winter captivity. Yellow, - green means - to open, to open, to establish contact, to wish to meet with others and with the new. As this colour can be somewhat intrusive, it is in most cases muted by the addition of grey, and it becomes suitable for business books and forms. Next to the white paper, it stands out favourably, giving the impression of strict and business.
Brownish is green.
For brown-green olives, yellow and black are added to pure green, but not blue. Thus, the olive green is opened thanks to yellow. However. As a result of simultaneous darkening, it acquires additional importance of sensual passivity. The same thing that comes out only with passive sensitivity, far from advancing. The closest thing I meet and feel closely related to is my own body after that of others. Therefore, brown-green expresses the feelings of one's own body and sensual perceptions. Whoever chooses brown, green, would like to enjoy a state of well-being that is beneficial to the senses and promotes relaxation.
Psychological characteristics of white and black.
The choice among certain achromatic colours reflects an effective attitude to certain emotional spheres. The choice among achromatic colours shows an effective and psychomotor initial position, a vegetative tone and psychoenergy level of the subject, and the relation to the object is absent or is not differentiated.
Compared to all grey tones, white is characterized by completeness, as a final point of brightness, and black - as a final point of darkness. While the preference of grey tones reflects the way of tone regulation, the choice of black or white, on the contrary, demonstrates the absolute and final decision ("black - white verdict"), which is taken when a cabalistic state leads to a crisis. In a white or black crisis, some pathogen leads to an unconsidered, uncontrollable dynamic discharge.
Black, as a concentric thickening, reflects aggressive tenacity, white - as an eccentric dissolution - escape. As you know, the decision to "fight or escape" is taken not in the field of the neocortex, but the phylogenetically earlier formed fractions, namely, in the limbic system.