Orange colour.
The more yellow the red colour shifts to the side, the more irritation turns into excitement. The targeted energy of the optically pure red colour loses its focus and becomes irritating, pointless and exhausting in the orange colour.
Brown is red.
Brown - red occurs when dark paint is mixed with orange. Dark is calm. Dark red is the calming of irritation. This is often overlooked. People with weak perception, engaged in questions of colour psychology only from intellectual positions, do not see that at the mixing of colours psychological influence of the basic colour can essentially vary. If red is irritation and struggle, brown and red means calmness and truce. Brown - red soothes, it is a world without discord, with an increased preference for this colour, the doctor states the patient's fatigue and exhaustion.
The blue is red.
In this combination, the vital energy of red is not extinguished, it accumulates and slows down. The impulse is controlled and held back, and power is also held back. This gives rise to majestic splendour of purple colour, and in blue - red - gentle restraint and refinement of the impulse.
Pink.
The white pink also destroys the energetic power of red. However, it does not slow it down, but releases it from purposeful energy, because of white means freedom. Pink is a free, unbinding, excitability, and in this its seductive charm.
Light - blue (blue) color.
Light blue, along with red, is the most popular if it is chosen simply as a colour, and not for any - or certain purposes. His psychological characteristic is carefree fun. Light blue is the colour of carelessness and carelessness, because it makes no claims, and therefore does not accept any obligations. The light blue is the "charming nothing" that Goethe speaks of. Red is blue. The blue colour, if it is not light, causes peace and complete satisfaction. This state should be understood correctly and not consider the blue colour "cold". Rest and inner satisfaction cannot be cold.
Twilight-blue (the author calls the semi-dark colour twilight) or dark-blue is not cold until it is mixed with green; this wrong opinion is reached when they come from the "warm" red - and, most importantly, - try to systematize the complexity of reality with a simple polarity - "warm-coldld", "internal-external", "active-passive".
In red-blue - to the blue, meaning depth, the deepening itself, peace of mind, joins the excitement of red. This is where the disturbance of peace of mind comes from. Red - blue - is the inner excitement, spiritual inspiration, ie, what can be expressed in words: cordiality, soulfulness. This is the favorite color of Chagall, whose paintings often touch upon the theme of soulfulness. Therefore, in his paintings, he constantly returns to the image of newlyweds, bouquet and clocks as a symbol of used or lost time. One can expect that the garments of the Virgin Mary, the protector of men before God, are also red, blue, soulful and cordial. Often in the paintings and even in the painting of the Altar of Columari by the artist Matthias Grunewald, who paints, guided by the psychology of colour, there is mostly green-blue colour. At the same time, it is necessary to know that the main blue colour acquires a greenish shade in combination with the paint coating that has yellowed from time to time.
Green-blue (turquoise). As well as in red colour blueish or brown shades do not change its basic value, but only change greatly within this value, and green-blue when it deviates to dark - blue or red - partially becomes the opposite value to blue. Nevertheless, the main importance remains: any blue conveys the sphere of soul, i.e. the feeling of dedication. In terms of relations between people, this can be characterized as a proud manner of holding on.
Twilight green - blue means claims its value. In dark green-blue pride turns into isolation, originality and stubborn exaltation itself. This colour expresses persistent, defensive egocentrism that disappears in light green-blue. All that remains here is cold remoteness, where life's impulses no longer dominate. Therefore, light turquoise is the colour of hygienic sterility.