The situation in Russian up to date music is exclusive in some ways for a rustic with such wealthy musical traditions. within the Nineteen Nineties, several performers and composers emigrated from the country, as a result of that the Russian context lost a full layer of musical culture. Among the composers, there have been each recognized masters (Schnittke, Denisov, Gubaidulina, Shchedrin) and a full pleiad of younger, however well-known authors (Smirnov, Firsova, Korndorf, Raskatov and lots of others). Of course, this doesn"t mean that their music has ceased to sound within the land, however, the influence of those authors on the composers of consecutive generations, likewise as on the musical and social life of the country began to weaken over time, that provided additional opportunities for composers of the Nineteen Seventies - Nineteen Eighties. As a result of the very fact that the establishments of latest music ne" er appeared, the Moscow Ensemble of latest Music (1990) and Vladimir Tarnopolsky"s Studio for brand spanking new Music (1993), created by Yuri Gary Weinstein (together with inventor Denisov), became its main platform. At constant time, the absence of bright, authoritative figures of the older generation gave way more freedom to young authors in search of recent ways that than can be ascertained in some European countries (for example, in France or Italian Republic, wherever the influence of such composers as Pierre Boulez or Donatoni on the aesthetics and direction of the inventive explore for younger generations was enormous). during this regard, we might wish to take into account the issues of the latest music in Russia on the instance of authors born once 1980: they were the primary to develop during a fully new cultural and socio-economic state of affairs and to own received education in Russia, not within the state. This generation of "young" authors (the musician is mostly thought-about to be underneath thirty-five years old) occupies a special place in Russian up to date music. Victories at dozens of prestigious international competitions in Europe and America, likewise because of the trust of Russian and foreign performers - chiefly ensembles specializing within the performance of the latest music - testify to the current. for instance, in step with the statistics of concerts of the 3 Moscow ensembles in 2016 (the 2 already mentioned GAM ensembles), by currently the share of performances of authors born once 1980 among all living Russian composers is over forty, that is way beyond the corresponding proportions in foreign countries. will this mean, however, that up to date music receives comprehensive support? so, since 2005-2006 there has been a positive trend: the already existing festivals "Moscow Autumn", "Moscow Forum", "Pythian Games" were joined by "Other Space", ReMusik, Opus 52, Sound 59, comes "Platform", "Opera Group", "Europe through the eyes of Russians. Russia through the eyes of Europeans", the Youth Department of the Union of Composers (Molot) was opened, the "Step to the Left" contest of young composers appeared, instructional events - the Academy of Young Composers within the town of Peter Ilich Tchaikovsky, seminars of the New Music Studio, "School" in Nizhny Novgorod.
The situation in Russian up to date music is exclusive in some ways for a rustic with such wealthy musical traditions. within the Nineteen Nineties, several performers and composers emigrated from the country, as a result of that the Russian context lost a full layer of musical culture. Among the composers, there have been each recognized masters (Schnittke, Denisov, Gubaidulina, Shchedrin) and a full pleiad of younger, however well-known authors (Smirnov, Firsova, Korndorf, Raskatov and lots of others). Of course, this doesn"t mean that their music has ceased to sound within the land, however, the influence of those authors on the composers of consecutive generations, likewise as on the musical and social life of the country began to weaken over time, that provided additional opportunities for composers of the Nineteen Seventies - Nineteen Eighties. As a result of the very fact that the establishments of latest music ne" er appeared, the Moscow Ensemble of latest Music (1990) and Vladimir Tarnopolsky"s Studio for brand spanking new Music (1993), created by Yuri Gary Weinstein (together with inventor Denisov), became its main platform. At constant time, the absence of bright, authoritative figures of the older generation gave way more freedom to young authors in search of recent ways that than can be ascertained in some European countries (for example, in France or Italian Republic, wherever the influence of such composers as Pierre Boulez or Donatoni on the aesthetics and direction of the inventive explore for younger generations was enormous). during this regard, we might wish to take into account the issues of the latest music in Russia on the instance of authors born once 1980: they were the primary to develop during a fully new cultural and socio-economic state of affairs and to own received education in Russia, not within the state. This generation of "young" authors (the musician is mostly thought-about to be underneath thirty-five years old) occupies a special place in Russian up to date music. Victories at dozens of prestigious international competitions in Europe and America, likewise because of the trust of Russian and foreign performers - chiefly ensembles specializing within the performance of the latest music - testify to the current. for instance, in step with the statistics of concerts of the 3 Moscow ensembles in 2016 (the 2 already mentioned GAM ensembles), by currently the share of performances of authors born once 1980 among all living Russian composers is over forty, that is way beyond the corresponding proportions in foreign countries. will this mean, however, that up to date music receives comprehensive support? so, since 2005-2006 there has been a positive trend: the already existing festivals "Moscow Autumn", "Moscow Forum", "Pythian Games" were joined by "Other Space", ReMusik, Opus 52, Sound 59, comes "Platform", "Opera Group", "Europe through the eyes of Russians. Russia through the eyes of Europeans", the Youth Department of the Union of Composers (Molot) was opened, the "Step to the Left" contest of young composers appeared, instructional events - the Academy of Young Composers within the town of Peter Ilich Tchaikovsky, seminars of the New Music Studio, "School" in Nizhny Novgorod.
