"Ancient song" reflects the unique style of Mongolian court ceremonial music during the Mengyuan period, which is called the "living fossil" of Mongolian music. After 80 years pastoral successor is currently the president of the hangjin flag Gu Ruge Research Association. According to its introduction, in recent years, to protect the heritage of this national intangible cultural heritage projects, including hangjin Flag Committee, the government, the relevant associations and other parties do a lot of work.
Through the rescue of recording the release of "hangjin ancient song" DVD, publishing and distribution of "hangjin ancient song" Mongolian, Hanwen books, to carry out special academic seminars, organize all kinds of special competitions, the establishment of Folk Museum, "ancient song" is constantly full of new vitality.
In June this year, kuroge won the second prize at the first Asian folk Championships held in Mongolia, as a representative project of the National Intangible Cultural Heritage, and will also be attending the world folk Championships in Bulgaria in the near future.
Animal husbandry and Ren told reporters, Hangjinqi Gu Ruge Research Association currently has 12 heritage base in Hangjinqi, absorb more than 1000 members."Before the old man is seventy or eighty years old to sing, now ladder-type inheritance system has been formed, will not be broken."He said he would continue to work hard to promote“ancient song " into the world's Intangible Cultural Heritage.
Derrygonnelly: focus on Jarryd Hayne (calf)
Zhulag nay (horse Milk festival) is a traditional Mongolian festival that dates back more than 400 years.People in this day worship heaven and Earth, pray for longevity days in good times and in good times and good times, water and grass, milk food harvest; pour milk sacrificial aobao, visitors to taste the milk to share the joy of harvest; held at the same time the three skill game(horse racing, wrestling, archery).
Deligarh is the provincial heritage officer of the chulag nay day(horse Milk festival)and is currently the council member of the Inner Mongolia Horse Association.Since 2004, he has visited the pastoral area, interviewed experts and scholars, collected and compiled the essence of the traditional zhulag culture spread in the folk, and combined with his own knowledge and expert Professor of kinship, wrote "zhulag nay day(horse Milk festival)sacrifice, inheritance and protection of the implementation of the program".
According to deligarh, the event is currently one of the main ways to pass on this unearthly culture.
He said that by organizing related festivals, not only to preserve the heritage of the culture, but also to promote the development of regional horse industry system, forming a sour horse milk, milk wine, horse harness and other characteristics of the industry.
Each year, there are two or three training courses for the chulagana day(horse Milk festival), with an audience of 12,000 people.
Today, deligall has received 20 people."In recent years, the state attaches great importance to the heritage of intangible cultural heritage, the protection of national customs, Inner Mongolia young generation awareness has also been greatly improved."He told reporters, “strengthening the nurturing of young people is the foundation and the driving force behind protecting the heritage of Intangible Cultural Heritage.
Harness making technology along with the history of the "horseback nation " along the way. Among them, the Mongolian saddle production technology set woodworking technology, metal technology, embroidery technology, and leather weaving and other unique technology in one, both ornamental and practical value.
Sujaratu is a traditional skill heritage of Ordos saddle making. He has been learning handmade from his father since he was seven or eight years old.
Saddle production skills complex, on the selection, size, shape, strength and other aspects have strict requirements.“It takes about 15 to 20 days to make a saddle, " sujaratu said.”
There are fewer and fewer people using saddles now."But some people, if they like it, buy it and decorate it at home.”
In order to preserve this traditional technique, sujaratu, who has her own small workshop, often uses modern aesthetic elements to design saddle patterns on the basis of ancestral techniques to attract more attention of young people.
Today, sujaratu has two more apprentices around him, " and they do a great job in Saddle carving", he said.